Summer Blog Series – Libraries & PLAY #2
Summer Blog Series – Libraries & PLAY #2“Play for Teens and Emerging Adults”
In 2016, the American Library Association published the book Adults Just Wanna Have Fun: Programs for Emerging Adults, which “shows how to draw emerging adults to the library using a mixture of play and engagement and then keep them coming back for more.”
Public libraries exist to serve all ages, and yet there is a stereotype that people “age out” of libraries before returning later in life when they have young children.
Given this reality, public librarians increasingly embrace play as a cornerstone of services for tweens, teens, and young, childless adults.
This trend is a bit more wooly and disorganized than the trend covered last week on Learning and Playing at the Library during Early Childhood. When it comes to supporting play among teens and emerging adults, public librarians do not have formal curricula like Every Child Ready To Read and Stories, Songs & Stretches. Instead, the landscape is populated by myriad local experiments.
In Dubuque, Iowa, on April 7, 2018, the public library celebrated “Five years of Nerf capture the flag,” a monthly after-hours program in which adults literally play capture the flag in the stacks of the public library.
Caption: A participant in the monthly Nerf Capture the Flag for adults program offered at the Carnegie-Stout Public Library in Dubuque, Iowa. Image courtesy The Telegraph Herald.
As public libraries re-open in Summer 2021, this program has started to return. In nearby Indianola, Iowa, the local radio station reports that “The Indianola Public Library Nerf Attack events are returning to the library on July 16, 2021. Nerf Attack is one of the most popular events, with kids in grades 6-12 having the run of the library.”
Three important facts help us make sense of something as seemingly bizarre as Nerf wars in the library:
1) These programs fit within the increasing identity of the public library as a community hub, offering, as a recent American Library Association reports puts it, offering free “activities and
entertainment you can’t find anywhere else in the community,” while also functioning as “a place for people in the community to gather and socialize.”
2) Public libraries are fundamentally local institutions, with nearly 90% of their funding coming from local sources. I sometimes tell my students, “If you know one public library, you know one public library.” One of the least appreciated facts about public librarianship is, as Eric Klinenberg recently pointed out in his book Palaces for the People: How Social Infrastructure Can Help Fight Inequality, Polarization, and the Decline of Civic Life “library staff ha[ve] more autonomy to develop new programming than I’d expected from an established public institution. Managers, it seems, assume the best of their librarians” (p. 52).
3) Given the long-standing idea that public libraries are not cool spaces for teens and emerging adults, radical thinking is needed to over-turn that stereotype. Milwaukee Public Library launched Library Loud Days focused on “changing the public libraries into lively, vibrant gathering places …. So come see what the new definition of a library is all about. And leave your inside voice at home.”
Caption: Adult Recess at the Public Library in Arlington, Virginia. Image courtesy Arlington VA Public Library.
As I present these facts, I often hear complaints from people who worry that the beloved libraries of their childhoods are going to be swept away by Nerf wars, rap battles, karaoke singers, and games of Twister and Quidditch.
That concern is misplaced. In all the libraries I have looked at, these types of loud play programs are typically offered sporadically, not continuously. They represent the type of playfulness that is quickly becoming the norm in public librarianship: Public librarians play with the identity of the public library, pushing on its boundaries and encouraging community members to join them in that experiment.
How can you get involved?
Want to increase access to play for tweens, teens, and emerging adults in your community? Start with the library! The best starting point is to look for individuals with titles like Teen Librarian. The national association representing Teen Librarians is the Young Adult Library Services Association (YALSA) whose “mission is to support library staff in alleviating the challenges teens face, and in putting all teens ‒ especially those with the greatest needs ‒ on the path to successful and fulfilling lives.”
Teen librarians have also pioneered library services for emerging adults. Typically, library services for adults in their 20s and 30s represents an extension of library services for tweens and teens.
YALSA’s website features a cornucopia of innovative resources around play and public libraries. For instance, check out this presentation on LARP at Your Library: Teaching Life Skills Through Play, presented by Shelbie Marks of Oklahoma’s Metropolitan Library System at a recent YALSA Symposium.
Spending some time perusing the YALSA website is a great way to inform yourself about how public librarians frame play as intrinsic to library services for this demographic.
You can then use that knowledge to reach out to your Teen Librarian, set up a time to talk, and see where the conversation takes you. Check out my guide on “Rules of the road: Partnering with public libraries for collective impact” to get started.
About the Author: Noah Lenstra, PhD, is Director of Let’s Move in Libraries and assistant professor of Library & Information Science at the University of North Carolina at Greensboro. Learn more about Noah at noahlenstra.com and follow him on Twitter at @NoahLenstra.
About the Summer PLAY Blog Series: This summer we are featuring some great PLAY resources with our 2021 Summer PLAY Blog Series, starring two invited play partners as our content experts. PLAY is important no matter what season it is…so NO SUMMER LEARNING LOSS here! In July, Noah Lenstra, Director of Let’s Move in Libraries, will highlight public library play initiatives for several key demographics. In August, Daniel Hatcher, Director of Community Partnerships for the Alliance for a Healthier Generation, will blog on “PLAY for Healthier Communities.”
Exploring the shared living experiences of Black girls and women through play is vital. The hashtag #BlackGirlMagic is used to express not only excellence and brilliance of black women but has led young girls and women to inspire one another, activate contextual awareness and grow in power together.
We are pleased to announce that Harrison P Pinckney, IV, PhD, recently joined the 
expertise as needed and headlining our Play Conference and other partner events, most notably the groundbreaking 
The US Play Coalition recognizes a play researcher each year for exceptional research in the field of play. The award honors its namesake, Joe L. Frost, the contemporary father of play advocacy. Frost was influential in the creation of the U.S. Play Coalition, serving as a steering committee member since the organization’s beginning in 2009.
As we get older, naturally, play finds itself towards the bottom of the priority list. We cannot always escape the demands life brings, and many of us may feel as though play no longer deserves the time we once gave it when we were younger. Or maybe we feel we are incapable of dedicating large amounts of time to it because we are occupied with things that are more important in fulfilling our definition of what being an adult means. Much like in the movie Hook starring Robin Williams as Peter Pan, he one day leaves Neverland and as time goes by, he forgets that it was even a part of his life. He doesn’t remember Tinkerbell, the Lost Boys, or even his enemy… Captain Hook. As he is forced to come back to Neverland, he slowly starts to see the life he used to live and has forgotten. He remembers how to be a kid again.
developed very quickly as a kid. We had a backyard that was split into two levels; the middle was held up by a wall of rocks with creatures of all sorts living in the dark areas between them and served as our platform to test how high we could jump off the ground. It wasn’t unusual to wake up with a herd of deer on the other side of the fence dividing our property and my neighbor’s. We had a wooden playset on the right side and a trampoline on the left that my two sisters and I spent hours upon hours jumping, playing zombie or trying to perfect our front flips. I developed a deeper connection and appreciation for the scenery and nature around me as I got older, so the time we spent outside was the most fun when I took in what was around me and let my imagination kick in.
Play has a certain aspect of vulnerability when putting yourself and your imagination out there. My imagination when I was younger was often put towards making up new places for me to live. I had and still have such a fascination for exotic homes: treehouses, our old camper, castles, towers, fairy gardens, secret worlds, you name it. I never imagined I was anyONE else, but someWHERE else – and living a different life. When we’d take our pop-up camper up to the mountains, my dad would have it sitting in the front of our house for a few days before we left. That camper became MY home – with my own kitchen, bed, coffee, and secret password to enter, given to those that were allowed. When winter rolled around with loads of snow it was the perfect opportunity to create a new home with my bare hands. I remember one year we got so much snow we built an igloo in my front yard with a sledding hill going down the side of our house. I imagined living in that igloo for the rest of my life. For me, there was something comfortable about being confined in such a small home.
The 
Simone Chin, Ph.D., and Susan Caruso of 
program for adolescents (ages 11-14) from South Florida’s economically challenged, underserved or vulnerable African American, Caribbean- American, and Hispanic population. Build & Play invites children to create, invent and build using their imagination and loose parts.
Ariana Brazier, CEO and co-founder of 
families of color, particularly from poor and low-income communities as well as teachers, school administrators and any individuals and/or groups who serve in their focus community. The Parent LAB PLAY DAY Series engages participants in interactive games designed to connect the active body to brain development, and thus enhance cognitive learning experiences. They use physically interactive games in and through our PLAY DAY Series to celebrate and promote opportunities for Black cultural expression.
Angela Kyle, Co-Founder/ Executive Director of 
Action Grant for her initiative “Super-Powering Play: Mobilizing PlayBuild’s Volunteer Community Board as Play Ambassadors.” The PlayBuild Community Board is a grass-roots volunteer network of committed and passionate community residents who manage the day-to-day operations and programmatic activities of the organization. Established in the summer of 2019 the Community Board is the connective tissue between the organization and the Central City neighborhood where we work. The Community Board members have no formal training in child development, education, or design disciplines, however, they have shown enthusiasm and willingness to acquire the skills and training that will make them more effective brand ambassadors for PlayBuild’s work.
William Massey, Ph.D., Assistant Professor at Oregon State University, received this year’s $3,000 Research Seed Grant Award for his project, “The recess initiative: A participatory action approach to increasing physical activity and self-regulation through recess in 
elementary schools.”
Working through the 
Christine Alexander is executive assistant of Let’s Play America in Takoma Park, MD. She believes that play is “a distinctly human experience, a happening that we can all understand and share regardless of background, age, ability, or point of entry.” Christine believes strongly that play is NOT just for children. “Despite all that we know about the value of play in human development, when faced with the observation and potential for judgment from our peers, adults will forego child-led play-based learning in order to avoid the chaos of free play. This blatant devaluation of play is what drives me to advocate for accessible free play opportunities for all stages of human development.”
Alicia Chiaravalli is an environmental consultant and freelance designer from the Detroit area. She is also continuing her education in a Design for Play program within Industrial Design. As a student of play design, Alicia’s definition of play is constantly evolving. “Play can take many forms, be deeply personal and often intra-personal, but the expression of play is irrefutably transcendent.” The Play Conference affords her the opportunity to connect with designers, artists, practitioners, historians, theorists and craftspeople who are similarly concerned with how play can contribute to the public good.
Development Inc. She is currently working on a project to intentionally integrate student-led play opportunities into the classroom of the Title One schools in her surrounding communities. As a former PreK teacher, Tia knows the value of play in the classroom, but in elementary schools she often faces feedback that questioned the challenge and rigor or lessons infused with meaningful play. For Tia, the Play Conference provides the research and resources she needs “to educate and encourage my colleagues in the fight toward educational equity…I hope to learn valuable strategies for influencing challenging learning environments that fail to see the value of play.”
Lauren Willis is director of the Preschool at Holly Springs Center, a community effort to bring a quality play-based preschool program to rural Pickens County, South Carolina. “We know that play is valuable, because we see the benefits everyday, but we’d love to learn the Hows and Whys. I’m eager to learn more ways to help my staff develop and implement new ways to bring play to our students, and I feel that the PLAY Conference is an amazing opportunity to do this.”